Breakfast Club meets The Walking Dead as a group of unlikely allies tries to survive a deadly outbreak.
Brian and his friends are not part of the cool crowd. They’re the misfits and the troublemakers—the ones who jump their high school’s fence to skip class regularly. So when a deadly virus breaks out, they’re the only ones with a chance of surviving.
The virus turns Brian’s classmates and teachers into bloodthirsty attackers who don’t die easily. The whole school goes on lockdown, but Brian and his best friend, Chad, are safe (and stuck) in the theater department—far from Brian’s sister, Kenzie, and his ex-girlfriend with a panic attack problem, Laura. Brian and Chad, along with some of the theater kids Brian had never given the time of day before, decide to find the girls and bring them to the safety of the theater. But it won’t be easy, and it will test everything they thought they knew about themselves and their classmates.
Catherine’s last job ended badly. Corporate bullying at a top television production company saw her fired and forced to leave London, but she was determined to get her life back. A new job and now things look much brighter. Especially when a challenging new project presents itself — to catalogue the late M H Mason’s wildly eccentric cache of antique dolls and puppets. Rarest of all, she’ll get to examine his elaborate displays of posed, costumed and preserved animals, depicting scenes from World War I. When Mason’s elderly niece invites her to stay at the Red House itself, where she maintains the collection, Catherine can’t believe her luck. Until his niece exposes her to the dark message behind her uncle’s ‘Art’. Catherine tries to concentrate on the job, but M H Mason’s damaged visions raise dark shadows from her own past. Shadows she’d hoped had finally been erased. Soon the barriers between reality, sanity and memory start to merge. And some truths seem too terrible to be real …